Shraddha Kapoor is stepping into the world of traditional folk performance with Eetha, and the newly released trailer gives audiences a glimpse of her intriguing transformation. Backed by Maddock Films and Kathputli Creations, the musical drama is inspired by true events and follows the journey of a woman who dreams of making her mark through Lavani, a celebrated folk-performance tradition. Packed with vibrant visuals, elaborate costumes and emotionally charged moments, the trailer sets the tone for a story that brings together ambition, artistic expression and cultural pride.
Known for entertaining audiences with her distinctive screen presence, Shraddha takes on a challenging role following the success of Stree 2. In Eetha, she plays a determined woman who refuses to let social expectations limit her aspirations. The trailer showcases her in traditional attire, with expressive gestures and a confident performance style that hint at the depth of her character. Her journey appears to revolve around the struggle to earn respect, overcome obstacles and establish an identity through her art, offering the actress an opportunity to explore a different side of her acting range.
Lavani takes centre stage in the film, bringing its energetic rhythms, expressive movements and theatrical charm to the big screen. The trailer captures the spirit of this traditional art form while highlighting the emotions and pride associated with it. One dialogue that stands out features Shraddha saying, “Yeh sirf kapda nahi, abhimaan hai.” Translating to “This is not just clothing; it is pride,” the line highlights the importance of the Nauvari saree as a symbol of dignity, heritage and identity. It also reflects the film’s larger theme of staying connected to one’s roots while fighting for personal recognition.
The story has generated curiosity about its real-life inspiration, with viewers wondering whether Eetha Bai’s journey shares any connection with renowned Lavani performer Vithabai Narayangaonkar. Remembered for her contribution to Maharashtra’s folk arts, Vithabai remains an important figure in the history of traditional performance. However, the makers have not officially confirmed that the film is a direct account of her life. While comparisons with pioneering Lavani artists may arise, Eetha appears to focus on a woman’s determination to overcome social challenges and make her talent count.
The film’s period setting adds to its visual appeal, transporting viewers into a world of colourful stages, traditional surroundings and bustling performance venues. Detailed sets and vibrant costumes help recreate an era when folk artists had to navigate social barriers while pursuing their ambitions. The stage emerges as a significant part of the narrative, giving Eetha a platform to express herself and seek the recognition she deserves. The emphasis on regional traditions lends the film a distinct identity, blending cultural storytelling with the scale of a mainstream cinematic production.
Music and choreography promise to be major attractions, with celebrated composer duo Ajay-Atul creating the soundtrack and Vaibhavi Merchant choreographing the performances. Their collaboration is expected to bring energetic Lavani-inspired numbers and elaborate dance sequences to the screen. Shraddha’s traditional styling and intricate jewellery further complement the film’s setting. Randeep Hooda also makes an impression as Merchant, sporting a moustache and a commanding new look. Mohammed Zeeshan Ayyub, Anant Joshi and Siddharth Jadhav round out the cast in important roles.
Directed by Laxman Utekar and produced by Dinesh Vijan, Laxman Utekar and Karishma Sharma under Maddock Films and Kathputli Creations, Eetha is set to release in cinemas on December 4, 2026. With Shraddha leading a story inspired by true events, the film brings together the energy of Lavani, a woman’s fight for recognition and the enduring significance of traditional art. The trailer offers a promising first look at a musical drama that places courage, identity and artistic passion at its heart.